We were contracted to provide the Taiwanese Ministry of Culture with a one stop service for the second season of Taiwanese work at the Edinburgh Fringe. The season showcased an incredible display of Taiwanese artistry from circus to contemporary dance to puppetry, all performed by Taiwan’s most talked about performance art companies. Our expertise and overseeing for the Ministry included: event planning, strategy development, venue pitching, contract supervision, third party marketing/PR, and project completion reports.

Following our work with trusted local marketing and PR partners, the performances went on to garner highly praiseworthy and popular reviews from theatregoers on social media and professional media alike, including The Guardian, The Times, and The Scotsman, amongst many others.

Following the success of Silk Road with the China Performing Arts Agency (CPAA) last year, we are pleased to present Legend of the Sun, a traditional tribe story of the Zhuang people in Guangxi Province, to British audiences once again. This time, as the first stop of the show’s European Tour, we did our best to ensure outstanding local promotion.

Apart from the well-conducted marketing, VIP reception and tour management, we planned the audition event, which received over 200 applications from university dance graduates and local professional dancers. Eventually, we chose 1 male Italian dancer, Giuseppe Laurenza, and 1 Greek female dancer, Eleni Papaioannou, to go on stage together. Both of them have significant performing experience and help greatly to make the show even more eye-catching and memorable, through collaboration with the long-standing Chinese performers.

The show received great reviews from various media, including British Theatre Guide, Everything Theatre, Public Reviews, Critical Dance, and others.

We worked with Shanghai Theatre Academy to deliver an educational event introducing the traditional Chinese puppet culture. Beauty and the Beast is an experimental piece presenting a Western fairy tale story by traditional Chinese opera with puppetry. The puppet workshops, lead by YU Yang, the lecturer from puppet department of Shanghai Theatre Academy, introducing and showing the puppet-making techniques on the spot.

Night of Beijing is a traditional Chinese folk music concert performed by China Broadcasting Chinese Orchestra and numerous solo artists. It took place in Indigo- O2 on the 21st of June 2015.

The show started at 8pm, and the running time was 2 hours. The program included many well-known Chinese folk music, such as Jasmine Flower, Horse Racing and Golden Snake Dance. The majority of the solo artists are known nationally in China. Aside from the Chinese artists, the programmer also invited local musicians to participate, such as New London Children’s Choir and Soprano-Judith Howarth.

From the Czech Republic dance-theatre group, Spitfire Company, comes a powerful multi-genre piece about boxer Muhammad Ali and his greatest fight to date: his battle with Parkinson’s disease. One Step Before The Fall sees Markéta Vacovská impassioned, powerful dancing meet the mesmerising wave of voice and sound produced by Czech Grammy winner Lenka Dusilová in the tight confines of a boxing ring.

As the production’s promoter in China, Performance Infinity ensured One Step Before The Fall and Antiwords received a critically acclaimed premier in Tianjin Grand Theatre. We successfully pitched the production to venues in addition to assisting with tour management and audience development. We recommended the work to Beijing NLGX Theatre Festival at Penghao Theatre and coordinated the presentation of the play in addition to a movement workshop led by the artists for local Chinese theatre professionals and dance participants.

In 2012, the National Theatre of China (NTC) came to London to perform a reimagined version of Richard III upon Shakespeare’s Globe Theatre stage as part of the Globe to Globe Festival. The production returned for a second time in 2015 to mark the UK-China Year of Cultural Exchange. It ran for five days from the 20th of July until the 25th.

The production stood out because of the way in which Wang Xiaoying, Artistic Director and Vice President of the National Theatre of China, integrated traditional Chinese cultural elements into the timeless and enduring story of Richard III. UK audiences were able to watch Shakespeare’s historic play with a new and innovative perspective.

Titus Andronicus is the much anticipated production of Shakespeare’s bloody play produced by WeAct theatre company- a premier amateur theatrical drama group in China. In 2015, they brought the production overseas to the UK to be performed as part of the Edinburgh Fringe Festival.

We were brought on board to provide an all-encompassing service for the group, which ranged from venue pitching, visa application, and tour management to on-site coordination and translation.

We tailor-made the media plan, the pitch, and supported the company to achieve full-page photo coverage in The Guardian.

Our services enabled the production and theatre company to debut a highly successful first time Fringe appearance.

Poker Night Blues is co-produced by Beijing TinHouse Productions and Theatre Movement Bazaar.

We were asked to be their local producer, providing an all-inclusive service of event planning, venue pitching, tour management, contract supervision, PR, visa application, on-site coordination and translation as well as many other production duties.

This highly stylized production is notable for the way in which it merges two theatrical traditions to create a new form for contemporary audiences.

It went on to receive glowing reviews from theatre critics and audiences alike.