16–17/5/2026 Nantong, Nantong Grand Theatre
23–24/5/2026 Shenzhen, Antuoshan Public Cultural Centre Concert Hall

“Food is a gift. Something you give to others. A privilege. An excuse to be with the ones you love.” In Pepa’s childhood home in Peru, the rich flavours of traditional cooking were forbidden, except when her grandmother slipped in a steak and a handful of spices. Moving to England sent Pepa on a journey inward, where she discovered that food could be shared with a new family around a new table. Written and performed by Peruvian artist Pepa Duarte and directed by Sergio Maggiolo, Eating Myself turns the stage into a Peruvian kitchen. A traditional soup is cooked live throughout the performance, and its aroma fills the auditorium.

Combining storytelling, physical theatre, music and real cooking, this solo show explores womanhood, body image, diet culture and cultural identity. It places the experiences of grandmother, mother and daughter side by side, with no villains and no romanticising. It offers no easy answers about making peace with food. Instead, it honestly shows the push and pull between control and desire. The performance ends with the audience sharing the freshly made soup, a full sensory experience hailed by The Guardian for its “overt and audacious theatricality.”

2026.5.17-18 Shanghai, Shanghai Young Theatre 

Following the acclaimed presentation of The Nature of Forgetting by Theatre Re in 2023, BIRTH brings another deeply moving story to audiences in Shanghai. Created by the internationally renowned Theatre Re, the production explores the often unspoken experience of pregnancy loss, giving voice to a subject that remains largely hidden from public conversation. Through stories of grief, memory, and resilience, the work shines a light on an experience shared by countless families.

Developed over fifteen months, BIRTH investigates how experiences, emotions, and memories are passed from one generation to the next. Collaborating with leading researchers in neuroscience and philosophy, the creative team explores profound questions about inheritance, identity, and the origins of memory.

At the heart of the performance are Sue, Katherine, and Emily—three generations of women whose lives are connected through an invisible web of family history. Through their intertwined journeys of self-discovery, acceptance, and hope, BIRTH offers a powerful reflection on loss, love, and the enduring miracle of life.

27–28/10/2025 Shanghai, Shanghai Theatre Academy
01–02/11/2025 Beijing, Beijing Performing Arts Centre

On the occasion of his 44th birthday, Bill has prepared everything for the perfect party – drinks, snacks, decorations and music. There is only one problem: no one has arrived. 

Created and puppeteered by Dorothy James and Andy Manjuck, Bill’s 44th combines ingenious puppetry, visual comedy and imaginative stagecraft to turn an ordinary birthday celebration into an extraordinary theatrical experience.

Balancing humour with tenderness, the performance explores loneliness, memory and the passing of time through a rich world of balloons, miniature figures and surreal transformations. Wordless yet deeply expressive, Bill’s 44th is a touching reminder of our shared need for companionship, belonging and celebration.

2025.9.5-7 Taipei, Taipei Experimental Theatre
2025.9.12 Taitung, Taitung Arts Festival
2025.10.17-19 Shanghai, Great Theatre of China
2025.10.26 Jiangsu Grand Theatre

In Du Bout Des Doigts, Belgian artists Gabriella Iacono and Grégory Grosjean transform fingertips into dancers and miniature sets into entire worlds. Combining live cinema, choreography, theatre, photography, and visual art, the performance creates a mesmerising dialogue between the intimate and the epic, where every movement is captured in real time and projected onto a large screen.

Through the story of a woman and a man journeying together across time, the work explores love, memory, and the passage of life while revisiting landmark moments in dance history. From the influence of Pina Bausch and Anne Teresa De Keersmaeker to the worlds of ballet, musicals, rock, and hip-hop, Du Bout Des Doigts is a breathtaking celebration of dance, storytelling, and cinematic imagination.

2025. 10 – 12

In Motion: British Physical Theatre Showcase in China was a touring programme supported by Arts Council England and produced by Performance Infinity. The project presented contemporary British physical theatre to audiences across China through a combination of live performances, film screenings, and engagement activities.

The programme featured four live productions and four theatre-on-screen presentations from six independent theatre companies based in England. Spanning a range of practices including physical theatre, puppetry, movement, live cinema, and visual storytelling, the selected works offered audiences an insight into the diversity of contemporary performance-making in England.

Presented across seven cities in China, In Motion also included workshops, artist talks, and professional exchange activities that brought together artists, audiences, presenters, and cultural organisations. The project created opportunities for artistic dialogue, audience engagement, and international collaboration between the performing arts sectors of the United Kingdom and China.

25–26/10/2025 Wuzhen, Ancient Courtyard Theatre

My Lover Was a Salmon in the Climate Apocalypse is an award-winning gig theatre production by Irish company Bradán that combines live folk music, storytelling and dark comedy to explore the climate crisis through a distinctly unconventional lens. When climate anxiety leads Fin to believe he is turning into a salmon, the performance embarks on a surreal journey through ecology, food systems, mythology, colonialism and environmental collapse. Blending humour with urgency, the work invites audiences to reflect on humanity’s relationship with the natural world, while finding moments of collective connection and resilience.

Winner of the Staging Change x VAULT Award 2022, which recognises innovative theatre-making with environmental awareness and sustainable practice, the production has been presented since its 2022 premiere at venues and festivals including the Edinburgh Festival Fringe, VAULT Festival and VOILA! Festival of European Theatre.

23–25/10/2025 Wuzhen, Portal Hall

Created by Italian company Teatringestazione, Monás is an immersive performance that combines participatory installation, choreography, live video and electronic sound. 

Inspired by the ancient Greek notion of the monás – the fundamental unit of existence – the work invites audiences into a constantly shifting environment where bodies are filmed, transformed and projected in real time, blurring the boundaries between reality and image, performer and spectator.

Rejecting linear narrative, Monás explores how identity is shaped through the acts of looking and being looked at. Through a carefully constructed dialogue between technology, movement and participation, the performance offers a poetic reflection on perception, presence and the power of images in contemporary life.

Premiered at Hangartfest in 2023, the work has since toured festivals and performance platforms across Italy. Founded in Naples in 2006 by Gesualdi | Trono, Teatringestazione is internationally recognised for its socially engaged and participatory performance works, which have been presented at festivals including Festival TransAmériques, Santarcangelo Festival and Teatri di Vetro.

The New Musical Lady M was created by talented British artists James Beeny and Gina Georgio, as a special commission for the ‘2022 Chinese Original Musical Incubation Project’ at the Shanghai Culture Square. Spearheading international production and managing copyright negotiations, Performance Infinity supported the production produced by Xu Jun Theatre, Poly Shang Yue Bay (Shanghai) Theatre Management Co., Ltd., and Shanghai Dong Hongqiao Theatre Management Co., Ltd. The production is scheduled for performance at the Shanghai 1862 Fashion Art Centre from 9 May to 2 June 2024. Featuring an international cast and presented entirely in English, this musical is a pioneering endeavour — the first English-language original musical incubated and world-premiered in Shanghai by a Chinese team, marking a significant milestone in the history of Chinese musical theatre.

The cast includes the well-known Dutch actor Maya Hakvoort in the role of Lady Macbeth, British actor Karl Queensborough in the role of Macbeth, with the highly acclaimed West End actor Richard Carson as Macduff, Tom Hiddleston, an active figure on the West End stage and in British music programmes, portrays Banquo. Additionally, 30 young and renowned Chinese actors are set to deliver captivating performances in this play.

The Mandarin version of 25Feet was co-produced with Shanghai 2332 Studio, in 2020, and staged in Beijing and Shanghai in 2022. This year, 25 Feet is back at the Shanghai International Dance Centre and Macau City Fringe.

Work.txt, an innovative production by British Artist Nathan Ellis, its Mandarin version was produced by Shanghai 2332 Studio and staged at Shanghai Theatre Art Centre’s D6 Space from 19th to 21st January 2024. This is a show without actors, and belongs to every participant, about work, industry, and the things that don’t make sense.

Imagine entering the theatre, selecting your seat, and as the lights dim, prompts appear, initiating a story about work that unfolds gradually before your eyes… Every attendee contributes to the narrative, making it a stage for everyone, and satisfying the desire for performance in all of us!